梵蒂冈英文介绍景点
A. 梵蒂冈历史 英语介绍
Vatican City , officially the State of the Vatican City (Italian: Stato della Città del Vaticano, pronounced [ˈsta(ː)to della tʃitˈta del vatiˈka(ː)no]), is a landlocked sovereign city-state whose territory consists of a walled enclave within the city of Rome, the capital city of Italy. It has an area of approximately 44 hectares (110 acres) (0.44 km2), and a population of just over 800.
Vatican City is a city-state that came into existence in 1929. It is distinct from the Holy See, which dates back to early Christianity and is the main episcopal see of 1.147 billion Latin and Eastern Catholic adherents around the globe. Ordinances of Vatican City are published in Italian; official documents of the Holy See are issued mainly in Latin. The two entities even have distinct passports: the Holy See, not being a country, only issues diplomatic and service passports; the state of Vatican City issues normal passports. In both cases the passports issued are very few.
The Lateran Treaty in 1929, which brought the city-state into existence, spoke of it as a new creation (Preamble and Article III), not as a vestige of the much larger Papal States (756-1870) that had previously encompassed central Italy. Most of this territory was absorbed into the Kingdom of Italy in 1860, and the final portion, namely the city of Rome with a small area close to it, ten years later, in 1870.
Vatican City is an ecclesiastical or sacerdotal-monarchical state, ruled by the bishop of Rome—the Pope. The highest state functionaries are all Catholic clergymen of various nationalities. It is the sovereign territory of the Holy See (Sancta Sedes) and the location of the Pope's residence, referred to as the Apostolic Palace.
The Popes have resided in the area that in 1929 became Vatican City since the return from Avignon in 1377. Previously, they resided in the Lateran Palace on the Caelian Hill on the opposite side of Rome, which site Constantine gave to Pope Miltiades in 313. The signing of the agreements that established the new state took place in the latter building, giving rise to the name of Lateran Pacts, by which they are known.
B. 求梵蒂冈圣彼得大教堂的英文介绍，要英文!!!!!!!!
The fact, alone, that the great and truly unique Basilica of St. Peter's in Vatican faces out on this square wonld make it perhaps the most widely known of Roman piaz-zas. But above and beyond this, the space itself merits at-tention for its size (an enormous ellipse whose greatest di-ameter measures 240 m.) and the brilliant project by Gian Lorenzo Bernini whose scope was that of singling out this square from all others throngh the use of the imposing porticoes.
These porticoes are arranged in semicircles along the short sides of the square and consist of four parallel rows of Tuscan-Doric columns which provide a choice of three paths. Above the canonic entablature are 140 colossal statues of Saints, as well as the insignia of the patron pope, Alexander VII. At the center of the square, the plain obelisk, flanked by two fountains, stands at the crossing of the two diameters of the ellipse. Termed " aguglia " (needle) in the Middle Ages, the obelisk came from Heliopolis and was brought to Rome by the em-peror Caligula, and set on the spina of Nero's Circus,which is where St. Peter's in Vatican now stands. Throughout the various phases of restoration, destruc-tion, and reconstruction, the " aguglia " stayed next to the Basilica and was not set up at the center of the square until 1586 by Domenico Fontana, who also saw to the en-ginecring aspect of the undertaking.
The other architect, Carlo Fontana, designed the left-handiountain in Piazza San Pietro, built in 1677 as a pendant to the one on the right designed by Carlo Maderno about fifty years earli-er. A curious fact concerning the obelisk mentioned above is that it was used, or was believed to have been used in the Middle Ages, as a reliquary for the ashes of Caesar, and then (up to now) for a fragment of the Holy Cross.
C. 求一些关于梵蒂冈的图片和英文介绍
梵蒂冈风光的
http://www.zjcourt.cn/portal/webfiles/web/file/12058003186154813.ppt
梵蒂冈城与圣彼得大教堂.ppt
http://www.zxls.com/Article/ShowArticle.asp?ArticleID=10635
世界上首屈一指的袖珍国家梵蒂冈ppt
http://zxls.dgjy.net:8011/UploadFiles/2007426232929854.ppt
网络
http://ke..com/view/19255.html?wtp=tt
D. 梵蒂冈英文简介
Vatican City [
E. 罗马景点的英文介绍
竞技场 (The Colosseum or Coliseum)
The Colosseum or Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is an elliptical amphitheatre in the centre of the city of Rome, Italy, the largest ever built in the Roman Empire. It is one of the greatest works of Roman architecture and engineering.
Occupying a site just east of the Roman Forum, its construction started between 70 and 72 AD under the emperor Vespasian and was completed in 80 AD under Titus, with further modifications being made ring Domitian's reign (81–96).[1] The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus' family name ("Flavius, from the gens Flavia).
Originally capable of seating around 50,000 spectators, the Colosseum was used for gladiatorial contests and public spectacles. It remained in use for nearly 500 years with the last recorded games being held there as late as the 6th century – well after the traditional date of the fall of Rome in 476. As well as the traditional gladiatorial games, many other public spectacles were held there, such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building eventually ceased to be used for entertainment in the early medieval era. It was later reused for such varied purposes as housing, workshops, quarters for a religious order, a fortress, a quarry and a Christian shrine.
Although it is now in a ruined condition e to damage caused by earthquakes and stone-robbers, the Colosseum has long been seen as an iconic symbol of Imperial Rome. Today it is one of modern Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession to the amphitheatre.
The Colosseum is also depicted on the Italian version of the five euro-cent coin.
The Colosseum's original Latin name was Amphitheatrum Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, hence its original name.[2] This name is still used frequently in modern English, but it is generally unknown.
The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby.[1] This statue was later remodeled by Nero's successors into the likeness of Helios (Sol) or Apollo, the sun god, by adding the appropriate solar crown. Nero's head was also replaced several times and substituted with the heads of succeeding emperors. Despite its pagan links, the statue remained standing well into the medieval era and was credited with magical powers. It came to be seen as an iconic symbol of the permanence of Rome.
In the 8th century, the Venerable Bede (c. 672–735) wrote a famous epigram celebrating the symbolic significance of the statue: Quandiu stabit coliseus, stabit et Roma; quando cadit coliseus, cadet et Roma; quando cadet Roma, cadet et muns ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world").[3] This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.
The Colossus did eventually fall, probably being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" (a neuter noun) had been coined to refer to the amphitheatre. The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearby Temple of Venus and Roma.[4]
The name was further corrupted to Coliseum ring the Middle Ages. In Italy, the amphitheatre is still known as il Colosseo, and other Romance languages have come to use similar forms such as le Colisée (French), el Coliseo (Spanish) and o Coliseu (Portuguese).
Construction of the Colosseum began under the rule of the Emperor Vespasian[1] in around 70–72. The site chosen was a flat area on the floor of a low valley between the Caelian, Esquiline and Palatine Hills, through which a canalised stream ran. By the 2nd century BC the area was densely inhabited. It was devastated by the Great Fire of Rome in AD 64, following which Nero seized much of the area to add to his personal domain. He built the grandiose Domus Aurea on the site, in front of which he created an artificial lake surrounded by pavillions, gardens and porticoes. The existing Aqua Claudia aquect was extended to supply water to the area and the gigantic bronze Colossus of Nero was set up nearby at the entrance to the Domus Aurea.[4]
The area was transformed under Vespasian and his successors. Although the Colossus was preserved, much of the Domus Aurea was torn down. The lake was filled in and the land reused as the location for the new Flavian Amphitheatre. Gladiatorial schools and other support buildings were constructed nearby within the former grounds of the Domus Aurea. According to a reconstructed inscription found on the site, "the emperor Vespasian ordered this new amphitheatre to be erected from his general's share of the booty." This is thought to refer to the vast quantity of treasure seized by the Romans following their victory in the Great Jewish Revolt in 70. The Colosseum can be thus interpreted as a great triumphal monument built in the Roman tradition of celebrating great victories.[4] Vespasian's decision to build the Colosseum on the site of Nero's lake can also be seen as a populist gesture of returning to the people an area of the city which Nero had appropriated for his own use. In contrast to many other amphitheatres, which were located on the outskirts of a city, the Colosseum was constructed in the city centre; in effect, placing it both literally and symbolically at the heart of Rome.
The Colosseum had been completed up to the third story by the time of Vespasian's death in 79. The top level was finished and the building inaugurated by his son, Titus, in 80.[1] Dio Cassius recounts that over 9,000 wild animals were killed ring the inaugural games of the amphitheatre. The building was remodelled further under Vespasian's younger son, the newly-designated Emperor Domitian, who constructed the hypogeum, a series of underground tunnels used to house animals and slaves. He also added a gallery to the top of the Colosseum to increase its seating capacity.
In 217, the Colosseum was badly damaged by a major fire (caused by lightning, according to Dio Cassius[5]) which destroyed the wooden upper levels of the amphitheatre's interior. It was not fully repaired until about 240 and underwent further repairs in 250 or 252 and again in 320. An inscription records the restoration of various parts of the Colosseum under Theodosius II and Valentinian III (reigned 425–450), possibly to repair damage caused by a major earthquake in 443; more work followed in 484 and 508. The arena continued to be used for contests well into the 6th century, with gladiatorial fights last mentioned around 435. Animal hunts continued until at least 523.[4]
Medieval
Map of medieval Rome depicting the ColosseumThe Colosseum underwent several radical changes of use ring the medieval period. By the late 6th century a small church had been built into the structure of the amphitheatre, though this apparently did not confer any particular religious significance on the building as a whole. The arena was converted into a cemetery. The numerous vaulted spaces in the arcades under the seating were converted into housing and workshops, and are recorded as still being rented out as late as the 12th century. Around 1200 the Frangipani family took over the Colosseum and fortified it, apparently using it as a castle.
Severe damage was inflicted on the Colosseum by the great earthquake of 1349, causing the outer south side to collapse. Much of the tumbled stone was reused to build palaces, churches, hospitals and other buildings elsewhere in Rome. A religious order moved into the northern third of the Colosseum in the mid-14th century and continued to inhabit it until as late as the early 19th century. The interior of the amphitheatre was extensively stripped of stone, which was reused elsewhere, or (in the case of the marble facade) was burned to make quicklime.[4] The bronze clamps which held the stonework together were pried or hacked out of the walls, leaving numerous pockmarks which still scar the building today.
Exterior
The exterior of the Colosseum, showing the partially intact outer wall (left) and the mostly intact inner wall (right)
Original façade of the Colosseum
Entrance LII of the Colosseum, with Roman numerals still visibleUnlike earlier amphitheatres that were built into hillsides, the Colosseum is an entirely free-standing structure. It is elliptical in plan and is 189 metres (615 ft / 640 Roman feet) long, and 156 metres (510 ft / 528 Roman feet) wide, with a base area of 6 acres. The height of the outer wall is 48 metres (157 ft / 165 Roman feet). The perimeter originally measured 545 metres (1,788 ft / 1,835 Roman feet). The central arena is an oval (287 ft) long and (180 ft) wide, surrounded by a wall (15 ft) high, above which rose tiers of seating.
The outer wall is estimated to have required over 100,000 cubic meters (131,000 cu yd) of travertine stone which were set without mortar held together by 300 tons of iron clamps.[4] However, it has suffered extensive damage over the centuries, with large segments having collapsed following earthquakes. The north side of the perimeter wall is still standing; the distinctive triangular brick wedges at each end are modern additions, having been constructed in the early 19th century to shore up the wall. The remainder of the present-day exterior of the Colosseum is in fact the original interior wall.
The surviving part of the outer wall's monumental façade comprises three stories of superimposed arcades surmounted by a podium on which stands a tall attic, both of which are pierced by windows interspersed at regular intervals. The arcades are framed by half-columns of the Doric, Ionic, and Corinthian orders, while the attic is decorated with Corinthian pilasters.[11] Each of the arches in the second- and third-floor arcades framed statues, probably honoring divinities and other figures from Classical mythology.
Two hundred and forty mast corbels were positioned around the top of the attic. They originally supported a retractable awning, known as the velarium, that kept the sun and rain off spectators. This consisted of a canvas-covered, net-like structure made of ropes, with a hole in the center.[1] It covered two-thirds of the arena, and sloped down towards the center to catch the wind and provide a breeze for the audience. Sailors, specially enlisted from the Roman naval headquarters at Misenum and housed in the nearby Castra Misenatium, were used to work the velarium.[12]
The Colosseum's huge crowd capacity made it essential that the venue could be filled or evacuated quickly. Its architects adopted solutions very similar to those used in modern stadiums to deal with the same problem. The amphitheatre was ringed by eighty entrances at ground level, 76 of which were used by ordinary spectators.[1] Each entrance and exit was numbered, as was each staircase. The northern main entrance was reserved for the Roman Emperor and his aides, whilst the other three axial entrances were most likely used by the elite. All four axial entrances were richly decorated with painted stucco reliefs, of which fragments survive. Many of the original outer entrances have disappeared with the collapse of the perimeter wall, but entrances XXIII to LIV still survive.[4]
Spectators were given tickets in the form of numbered pottery shards, which directed them to the appropriate section and row. They accessed their seats via vomitoria (singular vomitorium), passageways that opened into a tier of seats from below or behind. These quickly dispersed people into their seats and, upon conclusion of the event or in an emergency evacuation, could permit their exit within only a few minutes. The name vomitoria derived from the Latin word for a rapid discharge, from which English derives the word vomit.
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许愿池(Fontana di Trevi)
The Trevi Fountain (Italian: Fontana di Trevi) is the largest — standing 25.9 meters (85 feet) high and 19.8 meters (65 feet) wide — and most ambitious of the Baroque fountains of Rome. It is located in the rione of Trevi.
The fountain at the juncture of three roads (tre vie) marks the terminal point of the "modern" Acqua Vergine, the revivified Aqua Virgo, one of the ancient aquects that supplied water to ancient Rome. In 19 BC, supposedly with the help of a virgin, Roman technicians located a source of pure water some 13 km (8 miles) from the city. (This scene is presented on the present fountain's facade). However, the eventual indirect route of the aquect made its length some 22 km (14 miles). This Aqua Virgo led the water into the Baths of Agrippa. It served Rome for more than four hundred years. The "coup de grace" for the urban life of late classical Rome came when the Goth besiegers in 537/38 broke the aquects. Medieval Romans were reced to drawing water from polluted wells and the Tiber River, which was also used as a sewer.
The Roman custom of building a handsome fountain at the endpoint of an aquect that brought water to Rome was revived in the fifteenth century, with the Renaissance. In 1453, Pope Nicholas V finished mending the Acqua Vergine aquect and built a simple basin, designed by the humanist architect Leon Battista Alberti, to herald the water's arrival.
[edit] The present fountain
[edit] Commission, construction and design
In 1629 Pope Urban VIII, finding the earlier fountain insufficiently dramatic, asked Bernini to sketch possible renovations, but when the Pope died the project was abandoned. Bernini's lasting contribution was to resite the fountain from the other side of the square to face the Quirinal Palace (so the Pope could look down and enjoy it). Though Bernini's project was torn down for Salvi's fountain, there are many Bernini touches in the fountain as it was built. An early, striking and influential model by Pietro da Cortona also exists.
Competitions had become the rage ring the Baroque era to design buildings, fountains, and even the Spanish Steps. In 1730 Pope Clement XII organized a contest in which Nicola Salvi initially lost to Alessandro Galilei — but e to the outcry in Rome over the fact that a Florentine won, Salvi was awarded the commission anyway.[1] Work began in 1732, and the fountain was completed in 1762, long after Clement's death, when Pietro Bracci's 'Neptune' was set in the central niche.
Salvi died in 1751, with his work half-finished, but before he went he made sure a stubborn barber's unsightly sign would not spoil the ensemble, hiding it behind a sculpted vase. The Trevi Fountain was finished in 1762 by Giuseppe Pannini, who substituted the present bland allegories for planned sculptures of Agrippa and "Trivia", the Roman virgin.
[edit] Restoration
The fountain was refurbished in 1998; the stonework was scrubbed and the fountain provided with recirculating pumps.
[edit] Iconography
The backdrop for the fountain is the Palazzo Poli, given a new facade with a giant order of Corinthian pilasters that link the two main stories. Taming of the waters is the theme of the gigantic scheme that tumbles forward, mixing water and rockwork, and filling the small square. Tritons guide Neptune's shell chariot, taming seahorses (hippocamps).
In the center is superimposed a robustly modelled triumphal arch. The center niche or exedra framing Neptune has free-standing columns for maximal light-and-shade. In the niches flanking Neptune, Abundance spills water from her urn and Salubrity holds a cup from which a snake drinks. Above, bas reliefs illustrate the Roman origin of the aquects.
The tritons and horses provide symmetrical balance, with the maximum contrast in their mood and poses (by 1730, the rococo is already in full bloom in France and Germany).
[edit] Coin throwing
A traditional legend holds that if visitors throw a coin into the fountain, they are ensured a return to Rome. Among those who are unaware that the "three coins" of Three Coins in the Fountain were thrown by three different indivials, a reported current interpretation is that two coins will ensure a marriage will occur soon, while three coins leads to a divorce. A reported current version of this legend is that it is lucky to throw three coins with one's right hand over one's left shoulder into the Trevi Fountain.
Approximately 3,000 Euros are thrown into the fountain each day and are collected at night. The money has been used to subsidize a supermarket for Rome's needy. However, there are regular attempts to steal coins from the fountain, including some using a magnetized pole.
F. 德国著名景点的英文介绍
Berlin Wall (柏林墙）
The Berlin Wall (German: Berliner Mauer) was a physical barrier separating West Berlin from the German Democratic Republic (GDR) (East Germany), including East Berlin. The longer inner German border demarcated the border between East and West Germany. Both borders came to symbolize the Iron Curtain between Western and Eastern Europe.
The wall separated East Germany from West Germany for more than a quarter-century, from the day construction began on August 13, 1961 until the Wall was opened on November 9, 1989.
During this period, at least 136 people were confirmed killed trying to cross the Wall into West Berlin, according to official figures. However, a prominent victims' group claims that more than 200 people were killed trying to flee from East to West Berlin. The East German government issued shooting orders to border guards dealing with defectors; such orders are not the same as shoot to kill orders which GDR officials denied ever issuing.
When the East German government announced on November 9, 1989, after several weeks of civil unrest, that all GDR citizens could visit West Germany and West Berlin, crowds of East Germans climbed onto and crossed the wall, joined by West Germans on the other side in a celebratory atmosphere. Over the next few weeks, parts of the wall were chipped away by a euphoric public and by souvenir hunters; instrial equipment was later used to remove almost all of the rest of it.
The fall of the Berlin Wall paved the way for German reunification, which was formally concluded on October 3, 1990.
Brandenburg Gate （勃兰登堡门）
Brandenburg Gate (German: Brandenburger Tor) is a former city gate and one of the main symbols of Berlin and Germany. It is located west of the city center at the intersection of Unter den Linden and Ebertstrasse, immediately west of the Pariser Platz. It is the only remaining gate of a series through which one formerly entered Berlin. One block to the north stands the Reichstag. The gate is the monumental entry to Unter den Linden, the renowned boulevard of linden trees which formerly led directly to the city palace of the Prussian monarchs. It was commissioned by King Frederick William II of Prussia as a sign of peace and built by Carl Gotthard Langhans from 1788 to 1791. The Brandenburg Gate was restored from 2000 to 2002 by the Stiftung Denkmalschutz Berlin (Berlin Monument Conservation Foundation). Today, it is considered one of Europe's most famous landmarks.
Berlin Attractions
Brandenburg Gate （勃兰登堡门）
One of Berlin's most photographed sites, the Brandenburg Gate was once the boundary between East and West Berlin. The Wall came down in 1989 and the gate - long a symbol of division - became the very epitome of German reunification.
The gate is the only remaining one of the 18 that once graced Berlin. It was designed by Carl Gotthard Langhans in 1791 in neoclassical style and crowned by an ornate sculpture representing the goddess Victory. She was spirited away to Paris in 1806 by Napoleon after his occupation of Berlin, and returned trimphantly in 1814, freed from the French by a gallant Prussian general. Political groups from various ideological corners hijacked the pliable Brandenburg Gate as the backdrop for their rallies and processions until 1961, when the wall was built and the gate sealed off in no-man's-land. In 1989, after the dissolution of the border, the area was reopened to the public.
Today, traffic passes freely under the gate and enterprising scammers have long been selling hunks of Berlin Wall concrete, most of bious authenticity. If the Berlin Wall was ever reconstructed from the fragments sold to tourists it could probably enclose the whole of Germany.
In October 2002 the Gate was reopened after two years of restoration. If you need some time out, sit and contemplate peace in the Raum der Stille (Room of Silence) in the gate's north wing.
Potsdamer Platz (波茨坦广场)
Potsdamer Platz is an important public square and traffic intersection in the centre of Berlin, Germany, lying about one kilometre south of the Brandenburg Gate and the Reichstag (German Parliament Building), and close to the southeast corner of the Tiergarten park. It is named after the city of Potsdam, some 25 km to the south west, and marks the point where the old road from Potsdam passed through the city wall of Berlin at the Potsdam Gate. After developing within the space of little over a century from an intersection of rural thoroughfares into the most bustling traffic intersection in Europe, it was totally laid waste ring World War II and then left desolate ring the Cold War era when the Berlin Wall bisected its former location, but since the fall of the Wall it has risen again as a glittering new heart for the city and the most visible symbol of the new Berlin.
G. 关于介绍梵蒂冈的英语短文
There seem to be a confusion between the Vatican City State, the minuscule state that exists only since 1929, and the Holy See (of Rome), which is the entity which is active in all international relationships except those of a clearly territorial nature, such as membership of UPU (Universal Postal Union), INTELSAT, CEPT and UNIDROIT (International Institute for the Unification of Private Law).
人们似乎混淆了梵蒂冈城市以及这个国家的关系，这个最小的国家成立于1929年，罗马圣堂是一个实体，活跃在所有的国际关系中除了那些有明确领土的自然界，比如万国邮联，国际卫星通讯机构，以及国际统一私法协会的成员。 No government would have much interest in relations with so tiny a state as Vatican City. But 172 states maintain diplomatic relations with the Holy See, and half of those that have accredited their ambassador to the Holy See find it worthwhile to have him or her resident in Rome, distinct from their ambassador to the Italian Republic.没有政府会有兴趣与梵蒂冈如此渺小的政府合作.但是仍有172个国家仍然与这个圣堂保持外交关系。其中半数认为在梵蒂冈建立其大使馆是值得的,这种意义有别于其大使馆驻意大利.
The flag of the Vatican City State is as on your webpage, showing the arms with the silver key in the dexter position. When what is represented is the Holy See, not Vatican City State, the keys are reversed. Rather, when the state was set up in 1929, the keys in the arms of the Holy See, with the gold one in dexter position, were reversed to provide a distinctive symbol for the new entity. In the personal arms of the popes, the keys are, of course, arranged as in the arms of the Holy See: the other arrangement would be equivalent to treating him as merely the head of that little state.
梵蒂冈国旗就像我们的主页一样,展示了银钥匙绑住的武器摆在右侧。 看到的是代表的神圣,而不是梵蒂冈国家,钥匙是反着放的. 然而当国家在 1929年成立时, 圣堂武器上的钥匙是有一个金色的在右侧位置,把这个颠倒位置是为了体现国家新建突出特别的意义. 在罗马教皇手上的钥匙被当成圣堂的手臂：其他被等同为这个小国家的首领。
H. 谁可以提供介绍梵蒂冈的概况的英文版,最好中英都有!
梵蒂冈
VATICAN
面积 0.44平方公里。
人口 1380人，常住人口仅540人。民族：意大利人为主
宗教：天主教为国教，是世界天主教的中心，教皇教廷所在地
语言：意大利语和拉丁语。
货币：里拉
国花：白百合花
简史
梵蒂冈在拉丁语中意为“先知之地”。早在公元4世纪，教皇康斯坦丁就在罗马城西北角耶酥门徒圣彼得殉难处建立了康斯坦丁大教堂以志纪念。到了15至16世纪，康斯坦丁大教堂被改建成如今的圣彼得堡教堂，成为天主教会举行最隆重仪式的场所。公元756年，法兰克王丕平把罗马城及其周围区域送给教皇。其后教皇权势日益扩张，在意大利中部出现了以教皇为君主的教皇国。1870年意大利统一后，教皇被迫退居罗马城西北角的梵蒂冈宫中。1929年，意大利政府同教皇庇护十一世签订了“拉特兰条约”，意大利承认梵蒂冈为主权国家，其主权属教皇。梵蒂冈为中立国，其国土神圣不可侵犯。
公元8世纪中期，法兰克国王丕平把罗马城及周围地区赠送给统治罗马城的教皇，不久形成教皇国。19世纪中期后，意大利完成统一，收回教皇辖地，迫使教皇退居梵蒂冈。1929年，意大利承认梵蒂冈为主权国家，主权属于教皇。
Vatican
VATICAN
Area 0.44 square kilometer.
Population 1,380 people, resident population only 540 people.
Nationality: Italian primarily
Religion: Catholicism is the national religion, is the world
Catholicism's center, the pope Vatican locus
Language: Italian and Latin.
Currency: Lira
National flower: Madonna lily
Brief history
The Vatican is pleasing in Latin is "place of the prophet". As
early as in the A.D. 4 centuries, pope Constantine on dying for a just
cause place has established the Constantine cathedral in Luo Macheng
northwest corner Ye crisp disciple saint Peter by the will
commemoration. To 15 to 16th century, the Constantine cathedral has
been rebuilt the present the St. Petersburg church, becomes the God
church hold most grand ceremony the place. A.D. 756 years, the law
ranks Wang Piping and its the peripheral region gives Luo Macheng the
pope. After that the pope power and influence expands day by day,
appeared middle Italy take the pope as crowned head's pope country.
After in 1870 Italy unified, the pope was compelled to step down in
the Luo Macheng northwest corner Vatican palace. In 1929, the Italian
government sheltered 11 th with the pope to sign "the Rutland treaty",
Italy acknowledged the Vatican primarily power country, its
sovereignty was the pope. The Vatican is the neutral country, its
national territory sacred is inviolable.
A.D. 8 centuries intermediate stages, the law ranks king greatly to
put down Luo Macheng and periphery the area bestows for rules Luo
Macheng the pope, forms the pope country soon. After 19th century
intermediate stages, Italy completes the unification, takes back the
pope to govern, forces the pope to step down the Vatican. In 1929,
Italy acknowledged the Vatican primarily power country, the
sovereignty belongs to the pope.
I. 跪求一篇关于国外旅游景点的英文介绍！
OldCastlesofGreatInterest
1..Itwasbuiltonahighcliff..Manyfilmsweremadehere.
2..ItisnearScotland.Atfirst,itwasawoodencastle.In1122,HenryIbuiltwallsofstone.
3.DoverCastlewasoriginallyafort,builtbytheCelts.ThentheRomansbuiltalighthouse,whichyoucanstillvisit.Later,.
4.,Scotland.Inthe7thcentury,.Later,itbecameagreatcastle.
英国的古老城堡名胜
1.班博城堡建于公元6世纪，坐落于诺森伯兰郡的一个高耸的悬崖上，三面环海。很多电影都在这里取景。
2.卡莱尔城堡由鲁弗斯•威廉于公元11世纪末建成。它邻近苏格兰。最早它只是一座由木头修建的城堡。之后1122年，亨利一世修建了石墙。
3.多佛城堡最早是一个由凯尔特人修建的要塞。然后，罗马人修建了一座灯塔——这也是现在你可以去参观的景点。之后，巴约的厄德主教把它建成了一座雄伟的多佛城堡
4.爱丁堡城堡坐落于苏格兰爱丁堡。公元7世纪，埃德温国王在一巨石上修建了一座要塞。之后，这座要塞成了一个大城堡。
图片说明：从左到右，从上到下分别为BamburghCastle，CarlisleCastle，DoverCastle和EdinburghCastle。
J. 能用英语介绍下梵蒂冈圣彼得大教堂（Basilica di San Pietro)
San Pietro in Vincoli (Saint Peter in Chains) is a Roman Catholic titular church and minor basilica in Rome, Italy, best known for being the home of Michelangelo's statue of Moses, part of the tomb of Pope Julius II.
Also known as the Basilica Eudoxiana, it was first rebuilt on older foundations[1] in 432– to house the relic of the chains that bound Saint Peter when he was imprisoned in Jerusalem, the episode called the Liberation of Saint Peter. The Empress Eudoxia(wife of Emperor Valentinian III), who received them as a gift from her mother, Aelia Eudocia, consort of Valentinian II, presented the chains to Pope Leo I. Aelia Eudocia had received these chains as a gift from Iuvenalis, bishop of Jerusalem.
According to legend, when Leo, while he compared them to the chains of St. Peter's final imprisonment in the Mamertine Prisonin Rome, the two chains miraculously fused together.[2] The chains are kept in a reliquary under the main altar in the basilica.
The basilica, consecrated in 439 by Sixtus III, has undergone several restorations, among them a restoration by Pope Adrian I, and further work in the eleventh century. From 1471 to 1503, in which year he was elected Pope Julius II, Cardinal Della Rovere, the nephew of Pope Sixtus IV, effected notable rebuilding. The front portico, attributed to Baccio Pontelli, was added in 1475. The cloister (1493–1503) has been attributed to Giuliano da Sangallo. Further work was done at the beginning of the 18th century, under Francesco Fontana, and there was also a renovation in 1875.
The Titulus S. Petri ad vincula was assigned on 20 November 2010, to Donald Wuerl. The previous Cardinal Priest of the basilica was Pío Laghi, who died on 11 January 2009.
Two popes were elected in this church : Pope John II in 533 and Pope Gregory VII in 1073.
Next to the church is hosted the Faculty of Engineering of La Sapienza University. This is named "San Pietro in Vincoli" per antonomasia. The church is located on the Oppian Hill near Cavour metro station, a short distance from the Colosseum.
The interior has a nave and two aisles, with three apses divided by antiqueDoric columns. The aisles are surmounted by cross-vaults, while the nave has an 18th century coffered ceiling, frescoed in the center by Giovanni Battista Parodi, portraying the Miracle of the Chains (1706).
Michelangelo's Moses (completed in 1515), while originally intended as part of a massive 47-statue, free-standing funeral monument for Pope Julius II, became the centerpiece of the Pope's funeral monument and tomb in this, the church of della Rovere family. Moses is depicted with horns, connoting "the radiance of the Lord", e to the similarity in the Hebrew words for "beams of light" and "horns". This kind of iconographic symbolism was common in early sacred art, and for an artist horns are easier to sculpt than rays of light.
Other works of art include two canvases of Saint Augustine and St. Margaret by Guercino, the monument ofCardinal Girolamo Agucchi designed by Domenichino, who is also the painter of a sacristy fresco depicting theLiberation of St. Peter (1604). The altarpiece on the first chapel to the left is a Deposition by Cristoforo Roncalli. The tomb of Cardinal Nicholas of Kues (d 1464), with its relief, Cardinal Nicholas before St Peter, is by Andrea Bregno. Painter and sculptor Antonio Pollaiuolo is buried at the left side of the entrance. He is the Florentine sculptor who added the figures of Romulus and Remus to the sculpture of the Capitoline Wolf on the Capitol.[3] The tomb of Cardinal Cinzio Passeri Aldobrandini, decorated with imagery of the Grim Reaper, is also in the church.
In 1876 archeologists discovered the tombs of those once believed to be the seven Maccabean martyrs depicted in 2 Maccabees 7–41.[4] It is highly unlikely that these are in fact the Jewish martyrs that had offered their lives in Jerusalem. They are remembered each year on 1 August, the same day as the miracle of the fusing of the two chains.
18th century fresco, The Miracle of the Chains in the center of the coffered ceiling by Giovanni Battista Parodi (1706).
The third altar in the left aisle holds a mosaic of Saint Sebastian from the seventh century. This mosaic is related to an outbreak of plague inPavia, in northern Italy. It would only stop if an altar was built for St. Sebastian in the church of S. Pietro in Vincoli in that city. Somehow this story also became accepted in Rome. Hence the altar.